Posts Tagged Itching Images
The title of the book is Itching Images.
What are Itching Images? What are the characteristics of an Itching Image?
An Itching Image is a photographs with an extra. Something that sticks out and stays with you. You can sense the presence of the photographer.
Common for all itching images is that they show that you have taken charge. You at not led by the technical capacities of the camera, nor are you dictated by what is going on around you. You have taken the drivers seat. You are in charge.
There are many ways you can show that you are in charge. They can all be seen in the photographs. It is no longer a question about that THINK you are in charge. Your likes or dislikes are rather unimportant. There will always be levels of subjectivity, sure, but in making Itching Images subjectivity takes a second seat. Charge is there for all to see.
But, but, but: You need the capacity to read visuals. If you have that you will probably have the capacity to make itching images too.
Here are the roads to making Itching Images. There are three types:
1. You take charge of the whole image and makes sure that there is not too much or too little information. Your message comes through stressing the whole image.
2. You take charge of a part, or parts, of the whole image and make your points so strong that other information being there are kept in their place. Your message comes through stressing parts of an image.
3. You combine 1 and 2 in taking charge of both the whole image and distinctive parts at the same time. Your message comes through stressing the whole image and parts of the image.
None of these are better than the others but the more wholeness you get in your photograph, the less are the chances that your image will fall apart by people concentrating on irrelevant items.
In analysing whole and parts you could have a go at the photographs above. What type would you say it was: 1, 2 or 3?
I have my answer ready.
There will be plenty of examples of itching models later on. In fact many are already here. What is described in this post are itching types and not the variety of itching models that can be included in each of the types.
Good luck with it.
Terms to memorize: Itching Image, take charge, whole, parts, itching type, itching model.
August 22, 2013.
© Knut Skjærven. All rights reserved.
Ideas don’t necessarily emerge in a correct sequential order. More often they just arrive and you have to arrange them along the way. Or afterwards.
Those going to the workshop in Berlin are already deeply involved in dealing with the gestalt factors described elsewhere on Street Photographer’s Toolbox. You’ll find links in the blogroll.
The relatively few gestalt factors like proximity, similarity, closure and others, feed a much larger number of Itching Models in street photography.
It is my suggestion, that gestalt factors have instinctively been used by Henri Cartier-Bresson, Ronis, Frank, Erwitt, and plenty of others that we know from early and contemporary street photography.
That is the hypothesis.
What can executions of gestalt factors in street photography look like if you want to try it out for yourself? I have tried to indicate that in a series of posts called Itching Images.
All posts are accompanied by a concept or demo photograph that hopefully helps explain the itching idea.
It is imperative to remember, by the way, that good street photography does not come from following schemes. But it sometimes helps to know which shoes to wear for which landscapes.
You ALWAYS have to add a portion of talent. And stamina.
This document is simply a shortcut to those posts accompanied by a very brief description, and sometimes explanation, of the names I use for the itching models. Not all names explain themselves.
This post is a Workshop Special, but others are welcome to read along as well. And try the way on their own.
Here comes the list and the shortcuts. Welcome and good luck.
Any scene in which the position of people seems so precise that they could well have been placed there by a film director for a movie.
Actor’s Studio is the name of maybe most famous “drama school” in the world. Located in New York.
Any scene that contains, not only different subjects or objects, but subjects or objects that are poles or in opposition to each other.
In the shot used you have man/woman, younger/older, and living/non-living art objects as the set of poles.
People, in some situations, are of no less artistic value than more traditional pieces of art.
Any scene that contains a decisive moment.
In this shot, it is the young lady who is captured in such a decisive moment. She is in mid air.
Any scene that contains several decisive moments individually established.
In this shot there are many: the guy in the foreground, the laying couple, the male face on the boat, the sitting dog. In their own right they are all caught in decisive moments.
Any scene in which you can enhance the message by making a final cut.
In this context, a final cut means a tight crop that stresses the already dynamic content of a photograph.
Any scene in which a simplicity, harmony and symmetry is significant.
In the study of people, such traits are some times associated with beauty and having “good genes”.
Any scene in which you combine a larger number of separate, visual parts that seemingly has nothing to do with each other.
After a while you recognise that it all fits together.
Any scene in which two or more people or objects are placed close together in a contrasting way to make a distinct visual impression.
Close to, or even the same as contraposition. See above.
Any scene in which one or more colours are used as a creative and distinctive mean in the making of a photograph.
The colour stressed in this photo is, obviously, red.
Any scene in which the composition basically consist of a pattern of squares and rectangles.
If you look closely at this photograph you will recognise the pattern.
Any scene in which there is a substitution of one object/subject for another and very different item often causing a humorous result.
In this shot the contrabass is a substitute for a man.
Any scene that has affection, or romance, portrayed in a somewhat distinctive and different way.
The itching element in this shot is that the young lady has a heart on her blouse.
Odd Man Out
Any scene in which one or few persons or objects breaks a pattern by a different way of acting.
The first guy in the row has clearly spotted this photographer, and he breaks the pattern made by the others.
Any scene where two or different planes plays together in at somewhat, and sometimes, humorous way.
Planes are defines as different grounds in the image e.g. foreground, middle ground, or background.
Any scene in which a strong visual rhythm is broken by one or a few visually distinct distractions. Like, for instance, one or more human beings.
The lady is obviously the blues element in this shot of somewhat uniform rhythm.
Any scene in which there are impressions of life, movement, possible romance. Like in a party Saturday night.
In this shot it is expressed by the movement, interaction and the presence of people.
Any scene in which items are deliberately blurred or softened to gain a special visual effect.
This example is not available at the moment. Try later.
Any scene in which persons engage in a visually distinct encounter. Like, for instance, by having a strange body position.
Reference is to the two persons in the staircase.
Any scene in which one of more people are caught by surprise and that surprise are visually distinct.
Reference is to the two kids at the end of the alley.
Any scene in which two or more groups of people or other objects/subjects are distinctive shown. Three Of Kind, Four Of A Kind, are also included here.
This example is not available at the moment. Try later.
Any scene where something needs to be consciously or unconsciously added by the spectator.
In this shot, the heads and the feet of the two involved are obviously missing.
Any scene in which there, in addition to people, is a readable text and that text reflects on the scene involved.
Here the reference is to the HCB quote on the wall. It reads: “Photografie, das ist nichts. Was mich einzig interessiert, ist das Leben.”
Now we know :-).
Oh, one last thing. This lists may change over time. Some Itching Models may go. Others may come. After all, operating in the real world is a process of constant trial and error.
Thank you for having spent time on this post. Have a good day.
© Knut Skjærven. All rights reserved. Text and photo.
Please, you should not copy, distribute, download, or in any other way use of distribute this post and the content of it unless you have a written permission by the site author to do so. However, you are welcome to SHARE the link.
Copenhagen, May 21, 2013.