Posts Tagged Strange Encounter
Session 12: Brief Encounter
Here is an easy one. Or so it seems. You are asked to take a picture that is structurally similar to Brief Encounter above.
I shot Brief Encounter in the large gardens surrounding Schloss Charlottenburg outside Berlin in May 2011. It is one of my favorites since it at once honour a demand of simplicity, different levels of content, and it adds a new idea to the situation unfolding.
Brief Encounter is handling the situation creatively in that it combines content that was never intended to be framed in a picture. The man in the background and the lady in the foreground were never intended to be in any sort of relationship, which they have been made to be in this shot. Nor were they ever intended at once to be separated and link by a virile fountain.
The shot has that open end that makes different interpretations very possible. Some of them suggesting quite a different sort of brief encounter.
Let’s have a closer look at the image. It holds three distinct levels: level one which holds the sitting girl (foreground); level two which is comprised of the fountain (middle ground); and level three that holds the background and in particular the man walking (background). (I call the different grounds for levels and not for layers since the word layers is reserved another meaning in Street Photographer’s Toolbox).
Now you do the same.
Here is your task:
Try to recognize a similar structure when you are out there looking for good scenes to picture. In particular look for a scene that contains three distinct level: foreground, middle ground and background. Make sure that the three levels come out clean and are not cluttered with too many other contents or objects. Make it a visually simple image.
When you have done so and are satisfied with the result, load the image to your own site (I am sure you have one) and simply link to it from a comment you make to this session (session 12). If you are lucky, others will enjoy your picture and comment on it.
Suggestion: The suggestion is that you memorize this visual concept so you are ready for it when it turns up. It will. You have to be a ready for it when it does.
Good luck with it.
© Knut Skjærven. Alle rights reserved (text and picture).
Copenhagen, August 16, 2012.
What you want to see in a street photo is not only encounters, but what I call strange encounters. It is this strangeness that makes a picture itching. You want to have a second look. What are these people doing? Why are they there?
If the image is complex you need to connect different encounters to each other to prevent the image to fall apart in two or even more images.
There are different tricks that can accomplish such a unity. One of them is to connect sub-themes by a line structure like it is done on this image. Even a straight line will do.
There are three very different people encounters in this image: a) the pair in the foreground (which opens the image); b) the couple up left moving out of the picture; and c) the three (seemingly) gentlemen in the background in the right hand side. All of these are held together by the overall composition. They are connected by lines, spaces and directions.
The main point is that you have to, at least, capture one strange encounter at the top of the visual hierarchy through which an image is approached/opened. In this photo such an entrance are the two young people in the foreground. They seem to have great fun discussing who is going to take the picture of who.
Strange does not carry any negative connotation. The label is used simply to connote a situation that is a little different. A humorous situation being one of the options.